Eternal Analysis of My Striving-to-be-Deep Mind

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Here’s how it begins: His text messages give you butterflies. (Or are they chills? It doesn’t matter, does it? Because, whatever they are, you love not just the texts but the rush you get seeing them.) You’re still a bit nervous (excited) while you wait downstairs for him to come out of his building’s elevator. You shave your legs every day—even on days you don’t see him because maybe you might (you hope). Yet, you know he doesn’t care if your legs are stubbly because he tells you there is nothing he doesn’t like about you. You feel so yourself you could go so far to say you've perhaps evolved into the best version of yourself—and don’t forget, you're insanely happy at that—but somehow you can’t imagine being any other way. It's twofold: You can't imagine the relationship being any other way either. You can’t imagine you being another way.

If only there was a way to sustain that beginning-of-a-relationship feeling, the pessimist in me says. You hear of those couples who stay in love seemingly forever, who make-out in front of their kids while washing dishes, slow-dance on their 50th wedding anniversaries. Are we supposed to believe this ideal is possible and risk potential disappointment of its discontinuance, or just blindly enjoy right now?

Okay, confession-time: when I see a deep, artsy movie I think way too hard about it. Especially when it's about people falling in or out of love. Tonight I watched Eternal Sunshine of the Spotless Mind for the first time, (yes, I’m a little late on this one), and it sparked my curiosity about the stages of a relationship.

What hit me most about the movie, and I’m assuming many people who’ve seen it might agree, was the part at the end where Clementine and Joel, who think they’ve just met, listen to tapes of each other listing all the things they can’t stand about the other person. The tapes were made as part of the process to have each other erased from their memories when they broke up and each person hears the most horrible opinions the other has about him or her very early, while they're still in that glowy-first-part-of-a-relationship phase. This shakes up what many of us experience as the typical progression of love, presumably for Clem and Joel's benefit. In acknowledging their capacity to hurt and disappoint each other, they can hopefully avoid doing so.

For me, the end of a relationship is often punctuated with a feeling of being trapped, of not knowing who I’d become or who the person I thought I was with had become. Certainly, I didn’t start those relationships annoyed by everything the guy said to me, or wishing I could just be single again. I wasn't a nagger or too tired to have sex, or not even wanting to have sex, or argumentative, or mean. I couldn’t even imagine being those things.

While watching Eternal Sunshine I thought, on the one hand, knowing what will annoy you or piss you off about the person you’re dating could be helpful—get it out of the way, you know? But, on the other, perhaps in not knowing there is still that hope to be that perpetually-happy couple. Of course, there are more than just these two roads (misery or true love) because relationships aren’t so simple. (No matter how happy people are, there are certainly gripes, misunderstandings, and fights eventually right?)

I used to be the type of person who wanted to be prepared for anything. I would explore all the potential outcomes of a relationship just in case it didn’t work out, better to be safe than sorry, might as well protect myself and not get blindsided or hurt or disappointed and all that self-conscious crap. However, I think I rather like the idea of simply imagining--hoping for--happiness. Especially because, right now, I can’t think of a time when I’ve been happier.

2 comments:

Unknown said...

Another (not entirely dissimilar) take on the movie:

I didn't think Joel and Clem got back together at the end with hopes of somehow avoiding the pitfalls that doomed their previous and forgotten relationship. Joel acknowledges that he will most likely become fed up with Clem's list of quirks and faults with a surprisingly optimistic "OK." In a sense, he is saying that no matter the final outcome, the most important part of a relationship is the ride. Even if they do end up driving each other crazy (which will most likely happen again, since you can't really change who you are), he still wants to go through the ups and downs with the person he loves. So I think the movie comes to the same conclusion that you did; the possibility of love fading shouldn't dissuade someone from diving into love head first. It's kind of a "It's better to have loved and lost" type of thing...

Oh, and you are a really good writer :)

Natasha said...

Thank you. :)

You take is really interesting...I totally didn't think of the ending that way! But I really like the idea of knowing the worst about someone/your relationship with them in advance but thinking it's worth being with that person anyway. I also liked, about the film in general, how both Clem and Joel, in trying to forget each other, learned how much they really didn't want to do so (Joel especially). Definitely fits into the "it's better to have loved and lost" philosophy. All in all, good movie. :)